#john green dream cast

[vivmaek]

POETRY FOR YOUR MOON SIGN

✰ my masterlist poems written by someone who has the same moon sign as you <3

☾PISCES☽

Edgar Allen Poe, A Dream Within a Dream

“Take this kiss upon the brow! / And, in parting from you now, / Thus much let me avow – / You are not wrong, who deem / That my days have been a dream; / Yet if hope has flown away / In a night, or in a day, / In a vision, or in none, / Is it therefore the less gone? / All that we see or seem / Is but a dream within a dream.”

June Jordan, You Came with Shells

“You came with shells. And left them: / shells. / They lay beautiful on the table. / Now they lie on my desk / peculiar / extraordinary under 60 watts.”

Toni Morrison, It Comes Unadorned

“it comes / Unadorned / Like a phrase / Strong enough to cast a spell; / It comes / Unbidden, / Like the turn of sun through hills / Or stars in wheels of song. / The jeweled feet of women dance the earth. / Arousing it to spring. / Shoulders broad as a road bend to share the weight of years. / Profiles breach the distance and lean / Toward an ordinary kiss. / Bliss. / it comes naked into the world like a charm.”

☾AQUARIUS☽

W.B Yeats, A Coat

“I made my song a coat / Covered with embroideries / Out of old mythologies / From heel to throat; / But the fools caught it, / Wore it in the world’s eyes / As though they’d wrought it. / Song, let them take it / For there’s more enterprise / In walking naked.”

W.B Yeats, The Lover Tells of the Roses in His Heart

“All things uncomely and broken, all things worn out and old, / The cry of a child by the roadway, the creak of a lumbering cart, / The heavy steps of the ploughman, splashing the wintry mould, / Are wronging your image that blossoms a rose in the deeps of my heart. / The wrong of unshapely things is a wrong too great to be told; I hunger to build them anew and sit on a green knoll apart, / With the earth and the sky and the water, re-made, like a casket of gold / For my dreams of your image that blossoms a rose in the deeps of my heart.”

Louisa May Alcott, The Lay of a Golden Goose

“Oh! Be not rash,” her father said, / A mild Socratic bird; / Her mother begged her not to stray / With many a warning word. / But little goosey was perverse / And eagerly did cry, / “I’ve got a lovely pair of wings, / Of course I Ought to fly.”

☾CAPRICORN☽

John Milton, Sonnet 19

“When I consider how my light is spent, / Ere half my days, in this dark world and wide, / And that one talent which is death to hide / Lodged with me useless, through my soul more bent / To serve therewith my Maker,”

Jala al-Din Rumi, The Guest House

“This being human is a guest house. / Every morning a new arrival. / A joy, a depression, a meanness, / some momentary awareness comes / As an unexpected visitor. / Welcome and entertain them all! / Even if they’re a crowd of sorrows, / who violently sweep your house / empty of its furniture, / still treat each guest honorably. / He may be clearing you out / for some new delight. / The dark thought, the shame, the malice, / meet them at the door laughing, / and invite them in. / Be grateful for whoever comes, because each has been sent / as a guide from beyond.”

Gwendolyn Brooks, a song in the front yard

“I’ve stayed in the front yard all my life. / I want a peek at the back / Where it’s rough and untended and hungry weed / grows. / A girl gets sick of a rose.”

☾SAGITTARIUS☽

Lewis Carroll, A Boat Beneath a Sunny Sky

“In a Wonderland they lie, / Dreaming as the days go by, / Dreaming as the summers die: / Ever drifting down the stream – / Lingering in the golden gleam – / Life, what it is but a dream?”

Dante Alighieri, From “Inferno”

“It’s the pain / of the people down there that empties my / face. / It’s pity / that you’ve mistaken for fear. / And it’s the long way / that pushes us now. / Let’s go.”

Victor Hugo, Tomorrow, At Dawn

“Tomorrow, at dawn, at the hour when the countryside whitens, / I will set out. You see, I know that you wait for me. / I will go by the forest, I will go by the mountain. / I can no longer remain far from you. / I will walk with my eyes fixed on my thoughts, / Seeing nothing of outdoors, hearing no noise / Alone, unknown, my back curved, my hands crossed, / Sorrowed, and the day for me will be as night.”

☾SCORPIO☽

Sarojini Naid, Autumn Song

“Like a joy on the heart of a sorrow, / The sunset hangs on a cloud; / A golden storm of glittering sheaves, / Of fair and frail and fluttering leaves, / The wild wind blows in a cloud. / Hark to a voice that is calling / To my heart in the voice of the wind: / My heart is weary and sad and alone, / For its dreams like the fluttering leaves have gone, / And why should I stay behind?”

Shel Silverstein, Dreadful

“Someone ate the baby. / It’s absolutely clear / Someone ate the baby / ‘Cause the baby isn’t here. / We’ll give away her toys and clothes. / We’ll never have to wipe her nose. / Dad says, “That’s the way it goes.” / Someone ate the baby.”

Henry Wadsworth Longfellow, Aftermath

“When the summer fields are mown, / When the birds are fledged and flown, / And the dry leaves strew the path; / With the falling of the snow, / With the cawing of the crow, / Once again the fields we mow / And gather in the aftermath.”

☾LIBRA☽

Maya Angelou, Caged Bird

“A free bird leaps / on the back of the wind / and floats downstream / till the current ends / and dips his wing / in the orange sun rays / and dares to claim the sky.”

Emily Dickinson, Good Morning – Midnight

“Good Morning – Midnight – / I’m coming Home – / Day – got tired of Me – / How could I – of Him? / Sunshine was a sweet place – / I liked to stay – / But Morn – didn’t want me – now – / So – Goodnight – Day!”

Elizabeth Barrett Browning, My Heart and I

“You see we’re tired, my heart and I. / We dealt with books, we trusted men, / And in our own blood drenched the pen, / As is such colours could not fly. / We walked too straight for fortune’s end, / We loved too true to keep a friend ; / At last we’re tired, my heart and I.”

☾VIRGO☽

Robert Hayden, Those Winter Sundays

“Sundays too my father got up early / and put his clothes on in the blueback cold, / then with cracked hands that ached / from labor in the weekday weather made / banked fires blaze. No one ever thanked him. / I’d wake and hear the cold splintering, breaking / When the rooms were warm, he’d call, / and slowly I would rise and dress, / fearing the chronic angers of that house, / Speaking indifferently to him , / who had driven out the cold / and polished my good shoes well. / What did I know, what did I know / of love's austere and lonely offices?”

Jack Kerouac, How to Meditate

“Thinking’s just like not thinking- / So I don't have to think / any / more”

William Faulkner, Study

“Muted dreams for them / for me / Bitter science. Exams are near / And my thoughts uncontrollably / Wander, and I cannot hear / The voice telling me that work I must, / For everything will be the same when I’m dead / A thousand years. I wish I were a bust / All head.”

☾LEO☽

Walt Whitman, I sing the Body Electric

“I sing the body electric, / The armies of those I love engirth me and I engirth them,”

Oscar Wilde, The Ballad of Reading Gaol

“Yet each man kills the thing he loves, / By each let this be heard, / Some do it with a bitter look, / Some with a flattering word, / The coward does it with a kiss, / The brave men with a sword!”

Ralph Waldo Emerson, Friendship

“A ruddy drop of manly blood / The surging sea outweighs, / The world uncertain comes and goes; / The lover rooted stays. / I fancied he was fled, – / And, after many a year, / Glowed unexhausted kindliness, / Like daily sunrise there. / My careful heart was free again, / O friend, my bosom said, / Through thee alone the sky is arched, / Through thee the rose is red; / All things through thee take nobler form, / And look beyond the earth, / The mill-round of our fate appears / A sun-path in thy worth. / Me too thy nobleness had taught / To master my despair; / The fountains of my hidden life / Are through thy friendship fair.”

☾CANCER☽

Shakespear, Sonnet 147

“My love is as a fever, longing still / For that which longer nurseth the disease, / Feeding on that which doth preserve the ill,”

Robert Frost, Acquainted with the Night

“I have been one acquainted with the night. / I have walked out in rain – and back in rain. / I have outwalked the furthest city light. / I have looked down the saddest city lane. / I have passed by the watchman on his beat / And dropped my eyes, unwilling to explain. / I have stood still and stopped the sound of feet / When far away an interrupted cry / Came over houses from another street, / But not to call me back or say good-bye; / And further still at an unearthly height, / One luminary clock against the sky / Proclaimed the time was neither wrong nor right. / I have been one acquainted with the night.”

William Blake, Auguries of innocence

“To see a World in a Grain of Sand / And a Heaven in a wild flower / Hold Infinity in the palm of your hand / And eternity in an hour”

☾GEMINI☽

Rudyard Kipling, Blue Roses

“Half the world I wandered through, / Seeking where such flowers grew. / Half the world unto my quest / Answered me with laugh and jest. / Home I came at wintertide, / But my silly love had died / Seeking with her latest breath / Roses from the arms of Death.”

John Keats, To Sleep

“Save me from curious Conscience, that still lords / Its strength for darkness, burrowing like a mole; / Turn the key deftly into the oiled wards, / And seal the hushed Casket of my soul.”

Lord Tennyson, The Eagle

“He clasps the crag with crooked hands; Close to the sun in lonely lands, / Ring’d with the azure world, he stands. / The wrinkled sea beneath him crawls; / He watches from his mountain walls, / And like thunderbolt he falls.”

☾TAURUS☽

John Donne, Air and Angels

“Twice or thrice had I lov’d thee, / Before I knew thy face or name; / So in a voice, so in a shapeless flame / Angels affects us oft, and worshipp’d be;”

Audre Lorde, Recreation

“my body / writes into your flesh / the poem / you make of me. / Touching you I catch midnight / as moon fires set in my throat / I love you flesh into blossom / I made you / and take you made / into me.”

Margaret Walker, Lineage

“My grandmothers were strong. / They followed plows and bent to toil. / They moved through fields sowing seed. / They touched earth and grain grew. / They were full of sturdiness and singing. / My grandmothers were strong. / My grandmothers are full of memories / Smelling of soap and onions and wet clay / With veins rolling roughly over quick hands / They have many clean words to say. / My grandmothers were strong. / Why am I not as they?”

☾ARIES☽

E.E Cummings, Love is more thicker than forget

“love is more thicker than forget / more thinner than recall / more seldom than a wave is wet / more frequent than to fail”

Mark Twain, Genius

“But above all things, / to deftly throw the incoherent ravings of insanity into verse / and then rush off and get booming drunk, / is the surest of all the different signs / of genius.”

Paul Laurence Dunbar, Ships that Pass in the Night

“Out in the sky the great dark clouds are massing; / I look far out into the pregnant night, / Where I can hear a solemn booming gun / And I catch the gleaming of a random light, / That tells me that the ship I seek is passing, passing.”

[silverzoomies]

hello !!! i was just wondering if you think there are any other bands peter would like besides nirvana, pink floyd, and rush ?? he gives me classic rock (& just rock in general) vibes tbh !!

anon you just opened up a can of worms !!

i once did extensive research into this. way more than anyone should for a character way past his relevance. and i'm still discovering new tunes i think he'd be into all the time !! i'll try not make this long winded (it will be). but for now...

🎶👾 peter maximoff's (potential) favorite tunes 👾🎶

we already know pink floyd, rush, and nirvana are included. they're shown through the shirts he wears !!

rush is a major one. because unlike the other two, apocalypse era peter has rush all around him !! the rush posters in his basement. the leg cast with "i luv rush." it's safe to say he's kind of a rush fanboy (and he's so real for that because rush is rad as hell).

i have a list of bands/artists i can confirm he canonically likes, as they've been referenced before. whether it be through background clues (posters, background music, etc), or because they were explicitly mentioned by people involved in making the films.

🎶 yardbirds 🎶 the doors 🎶 led zeppelin 🎶 buffalo springfield 🎶 alice cooper 🎶 jim croce 🎶 neil diamond

and while we know he listens to eurythmics (sweet dreams), i don't necessarily include them as a band. just because i personally feel this has less to do with the artist, and more about whatever was mainstream in 1983 (but you can choose to include them if you want !! after all, people mostly listened to whole albums back then).

peter definitely enjoys rock overall. but he doesn't seem averse to mainstream pop either. so we can probably assume he'll listen to anything, as long as it's catchy !!

here's some bands/artists we can assume he likes based on what we already know:

🎶 jimi hendrix 🎶 cream 🎶 the beatles 🎶 fleetwood mac 🎶 queen 🎶 david bowie 🎶 tom petty 🎶 ac/dc 🎶 bon jovi 🎶 journey 🎶 guns n roses 🎶 the eagles 🎶 joan jett & the blackhearts 🎶 deff leppard 🎶 tears for fears 🎶 michael jackson

and if there's some other classics i missed (from the 60's/70's/80's) you think he might like - please feel free to drop me an ask !! i'd love to add more to the list !!

lastly, i'm gonna drop some bands/artists i personally like to think he might listen to. mostly because it's fun to imagine so:

🎶 iggy pop 🎶 bee gees 🎶 thin lizzy 🎶 toto 🎶 a flock of seagulls 🎶 elton john 🎶 u2 🎶 redbone 🎶 madonna (i 100% believe it, you can't convince me otherwise) 🎶 pearl jam 🎶 radiohead 🎶 red hot chili peppers 🎶 green day 🎶 my chemical romance 🎶 beastie boys ��� smash mouth 🎶 nickelback (fight me, i dare you)

if you're looking for any specific songs, there's a really awesome playlist i listen to religiously. chai_vibes's "songs peter maximoff would unironically listen to" is so peak !! and i'll go ahead and drop my own peter maximoff playlist too, just because i worked really hard on it !! lol

happy listening !! thanks for hearin' me out !!

[will80sbyers]

Do you still have the list of movies that inspired ST4? I had a picture of it but I lost it and I haven't been able to find it since. Please and thank you in advance.

Yep!

Long post warning lol

300

2001: A Space Odyssey

47 Meters Down: Uncaged

12 Monkeys

28 Days Later

13th Warrior

Ace Ventura: Pet Detective

Ace Ventura: When Nature Calls

Altered States

Amelie

American Sniper

Analyze This

Annihilation

Aristocats

Armageddon

Assassins Creed

Avengers: Age of Ultron

Arrival

Almost Famous

Batman Begins

Batman V. Superman

Basket Case

Battle at Big Rock

Beauty and the Beast

Beetlejuice

Behind Enemy Lines

Beverly Hills Cop

Bill and Ted’s Bogus Journey

Billy Madison

Black Cauldron

Black Swan

Boondock Saints

Borat

Bram Stoker’s Dracula

Burn After Reading

Broken Arrow

Blade Runner

C.H.U.D

Con Air

Cast Away

Congo

Constantine

Children of Men

Cabin in the Woods

Crank

Casablanca

Carrie

Crimson Tide

Clueless

Dukes of Hazzard

Don’t Breathe

Death to Smoochy

Doom

Dark Knight

Dogma

Deep Blue Sea

Dreamcatcher

Drop Dead Fred

Die Hard

Die Hard 2

Die Hard 3

Don’s Plum

Dances with Wolves

Dumb and Dumber

Edward Scissorhands

Enter the Void

Ex Machina

Event Horizon

Emma (2020)

Forrest Gump

Fargo

Fisher King

Full Metal Jacket

Ferris Bueller

Fallen

Fugitive

Ghost

Girl with the Dragon Tattoo

Ghostbusters

Good Fellas

Girl Interrupted

Godzilla: King of the Monsters

Get Out

Good Will Hunting

Hackers

High Fidelity

Hellraiser 1

Hellraiser 2

Harry Potter and the Chamber of Secrets

Hidden

High School Musical

Hurt Locker

Heat

Hunger Games

Highlander

Hell or High Water

Home Alone

I am Legend

It’s a Wonderful Life

In Cold Blood

Inception

I am a Fugitive from Chain Gang

Inside Out

Island of Doctor Moreau

It Follows

Interview with a Vampire

Inner Space

Into the Spiderverse

Independence Day

Jupiter Ascending

John Carter of Mars

Jurassic World: Fallen Kingdom

James Bond (All Movies)

Julie

Karate Kid

Knives Out

Kingsmen

Little Miss Sunshine

Labyrinth

Long Kiss Goodnight

Lost Boys

Leon: The Professional

Let the Right One In

Little Women (1994)

Mad Max: Fury Road

Magnolia

Men in Black

Mimic

Matrix

Misery

My Cousin Vinny

Mystic River

Minority Report

Mr. and Mrs. Smith

Neverending Story

Never Been Kissed

No Country for Old Men

Nightmare on Elm Street 3: Dream Warriors

North by Northwest

Open Water

Orange County

Oceans 8

Oceans 11

Oceans 12

One Flew over the Cuckoo’s Nest

Ordinary People

Paddington 2

Platoon

Pulp Fiction

Papillon

Pan’s Labyrinth

Pineapple Express

Peter Pan

Princess Bride

Paradise Lost

Primal Fear

Prisoners

Peter Jackson’s King Kong

Reservoir Dogs

Ravenous

Rushmore

Road Warrior

Rogue One

Reality Bites

Raider of the Lost Ark

Red Dragon

Robocop

Shooter

Sky High

Swingers

Sword in the Stone

Step Up 2

Spy Kids

Saving Private Ryan

Shape of Water

Swept Away

Star Wars: Return of the Jedi

Star Wars: The Empire Strikes Back

Superbad

Society

Swordfish

Stoker

Splice

Silence of the Lambs

Source Code

Sicario

Se7en

Starship Troopers

Scrooged

Splash

Silver Bullet

Speed

The Visit

The Italian Job

The Mask of Zorro

True Lies

The Blair Witch Project

The Lord of the Rings Trilogy

Tangled

The Craft

The Guest

The Devil’s Advocate

The Graduate

The Prestige

The Rock

Titanic

Teenage Mutant Ninja Turtles

The Fly

Tombstone

The Mummy

The Guardian

The Goofy Movie

The Peanut Butter Solution

Toy Story 4

The Ring

The Crazies

The Mist

The Revenant

The Perfect Storm

The Shining

Terminator 2

The Truman Show

Temple of Doom

The Cell

To Kill a Mockingbird

Timeline

The Good Son

The Orphan

The Birdcage

The Green Mile

The Raid

The Cider House Rules

The Lighthouse

The Book of Henry

The A-Team

The Crow

The Terminal

Thor Ragnarok

Twister

The Descent

The Birds

Total Recall

The Natural

The Fifth Element

True Romance

Terminator: Dark Fate

The Hobbit Trilogy

Unforgiven

Unbreakable

Unleashed

Very Bad Things

Wayne’s World

What Women Want

War Dogs

Wedding Crashers

What’s Eating Gilbert Grape

Welcome to the Dollhouse

Welcome to Marwen

Wet Hot American Summer

What Lies Beneath

What Dreams May Come

War Games

Who Framed Roger Rabbit

Weird Science

Willow

Wizard of Oz

Wanted

Young Sherlock Holmes

You’ve Got Mail

Zodiac

Zoolander

[d-criss-news]

From Hedwig to Helperbot: Darren Criss Looks Back on His Stage Journey

It’s nap time for Darren Criss’s newborn son, Brother, when the Glee star hops on our video chat. The camera’s off, but he quickly turns it on to say hello face-to-face dressed in workout clothes — a green sleeveless top and a ball cap — as he tries to do some chores at the same time.

Criss has a limited window at home as he prepares to star in the new musical Maybe Happy Ending, now playing at Broadway’s Belasco Theatre. The story, with book, music, and lyrics by Will Aronson and Hue Park, takes place 100 years in the future in Seoul, South Korea. Criss plays Oliver, an obsolete Belperbot along the lines of Siri or Google, “except more human-like, who is definitely past his prime and has been just waiting [in a Helperbot retirement facility] for his owner to pick him up,” Criss describes to Broadway Direct of the role. He stars opposite rising star Helen J Shen, who plays Oliver’s retired Helperbot neighbor. “It almost feels like two people in an old-folks’ home trying to connect with a family member.”

The plot sounds dramatic, but “make no mistake: This is a musical. It’s a musical comedy,” says Criss. “It has a lot of heart and a lot of joy and a lot of humor and amazing music, and it’s a hell of a spectacle.”

His friend Michael Arden, who won a Tony Award for his direction of Parade, was a big reason for Criss to sign on to the project — and serve as an executive producer as well. Arden brought the show to Criss’s attention many years ago, and again recently when Criss was starring in Little Shop of Horrors Off-Broadway.

“This had been kind of percolating for a while, and between the pandemic and strikes and just a lot of other things, that really comes down to timing. So the stars just kind of aligned,” Criss says.

Criss, a figure on Broadway for well over a decade, started to gather a following while at University of Michigan as a founding member of Team StarKid, the student-run theater company behind the viral Harry Potter musical parody A Very Potter Musical. His big break came on the hit Fox TV show Glee back in 2010. The show had already aired for a full season before he was cast as Warbler Blaine Anderson and future love interest to Chris Colfer’s Kurt Hummel. If not for Glee, he believes his career would not have had the same trajectory.

“I felt like this was my master’s in performance of music on camera,” Criss says, admitting that, until Glee, he didn’t consider himself a singer — rather, a musician who acted. “I have that show to thank for giving me any headway in the musical-theater space.”

In the middle of filming Glee in 2012, his Broadway debut called. Criss was asked to succeed Daniel Radcliffe in How to Succeed in Business Without Really Trying for three weeks during a winter break from filming Glee. “I left on, like, a Friday night from my last day of shooting. I started rehearsal on a Saturday. Within 10 days, I was on a Broadway stage. I left my Sunday matinee, got on the plane, and went to work [at Glee] Monday morning as if nothing had happened. So it was a bit of a fever dream. It goes by as quickly as it came, like all other moments in life.”

Three years later, Criss stepped into his next Broadway role. This time, he played Hedwig in Hedwig and the Angry Inch for about two and half months, succeeding John Cameron Mitchell. “People always ask me, ‘What’s your dream role?’ I’m like, ‘I kind of did it,’” he says of the opportunity. “Hedwig was a role I always loved so much when I was a teenager, and getting to jump into it was so special to me and my wife. We both love Hedwig so much. It’s a big part of our relationship.”

More recently on Broadway, Criss starred in the play American Buffalo with Laurence Fishburne and Sam Rockwell in 2022 for a three-month limited run. “I completely idolized them,” he says of his scene partners. “I mean, if you see a pattern here, I recommend this to everybody, to just chase their heroes. I’ve just been chasing my heroes my whole life, and I’m not being bashful about it at all.”

Getting Rachel Evan Wood to play Audrey opposite Criss’s Seymour in Little Shop of Horrors at the Westside Theatre earlier this year was something that he says was his idea.

“I pitched her pretty hard,” he said of getting casting directors to choose the Westworld actress as his costar. “When they heard her sing, I think it was very clear that this wasn’t like a favor to anybody. She was doing us a favor. The fact that she said yes just blew my mind.” The role of the nerdy floral shop worker wasn’t something Criss thought he’d get the opportunity to add to his résumé “because it just was never something that I thought anybody would let me do. … I wasn’t sprinting to that in the way that I was the other things in my life.”

Criss welcomed Brother, his second baby, this past June with his wife Mia. The timing couldn’t be more coincidental, since their first, Bluesy, was born during his run of American Buffalo.

As our conversation comes to a close, Criss says he kind of got all of his chores done and haphazardly put things away and folded laundry. The next project he wants to pursue is his writing, something he hasn’t tackled much in five years. Until then, he’s reveling in Maybe Happy Ending.

“I do find myself at a loss for words, trying to truly put into words how special this experience has been,” he adds. “I think it really is a thing of beauty that can really add quite a bit of ornamentation in perhaps a grim world.”

[ghostmoon1]

Day Seven - Sleeping on their Shoulder

Ghost x Soap

Master List

Woah look at this guys, its fully fluff, no angst!? That's what I'm supposed to be doing . Hope you guys enjoy, this one's pretty sweet.

CW: Just fluff :3

Words: 1,072

“You did well out there Soap.”

The sound of the helicopter rang in their ears, the never-ending thump of the blades echoing into the cabin making it hard to hear anything. Their headphones clung to their heads, even if they did little to muffle the sounds of the blades right above them. It was a tough mission, but they all got out with only a few bruises and scrapes. The seats weren't the most comfortable, Simon could tell by the amount Johnny was moving and wiggling beside him in an effort to get comfortable, although it was failing.

He smirked as Johnny let out a dissatisfied groan, giving up on trying to get comfortable. He was lucky the mask covered his smirk, otherwise he was afraid he’d get quite the headache from how many times Johnny might slap him over the head for it.

“Thanks, L.T., didn’t do too bad yerself,” he mutters, stretching his arms up above his head with a yawn. Simon chuckles, watching his muscles flex and ripple beneath his skin as he moves. 

“Ain’t too sore after that?”

“Nah, just needa’ hit the hay.”

Simon laughs, watching as he settles his hands back down on his legs. His eyes were half-lidded and his movements were sluggish. He knew he was tired after that hell of a mission, everyone was. Kyle and John, sitting opposite of them looked half asleep. Kyle kept nodding off, jumping awake with each sound while John was typing on his laptop, probably filing some reports or sending the mission details to Kate. Everyone was exhausted, they all just wanted to go back to base and get some well-earned sleep.

Simon sighs and leans back in his seat, looking past his shoulder to watch the hills of dust, dirt and sand slowly change into rolling green hills, a sign of home getting closer. The sun was nowhere to be seen, long escaped over the horizon and the moon, full and bright took its place in the sky to cast a soft light over the landscape. The moonlight seeped into the cabin, illuminating everyone's features but he couldn’t help but admire Johnny’s features in the cool light, the way his eyes seemed to shine brighter, reflecting the moons blue glow, how it traced each strand of hair and curved around his slowly growing beard after not being able to shave on the mission. He couldn’t lie to himself, but he might just miss the way he almost looked scruffier during missions.

The hills and valleys vanish, quickly becoming adored with trees, the clear plains melting into thick forests. He felt himself relax at the sight. The smells, sounds and sights of a forest always calmed him, so different to the views he sees in his job. A place without war, screaming and pain, no guns or violence, just mother nature running her natural course.

His dreams of nature and admiration are soon cut short as his attention is snapped away by a sudden weight against his shoulder. He turns his head to find Johnny, dozing off on his shoulder, the warmth of his body pressed up against him. He was snoring softly, content in his newfound pillow, a small line of drool running down his chin as he slept with his lips parted. There was even a soft smile playing on his lips, he hoped his dreams were sweet and calming, in contrast to his. A soft chuckle snaps his attention away once again to the other side of the cabin. John had a grin on his face, watching as Johnny slept soundly on Simon's shoulder.

“He’s found a new pillow I think, eh?” he chuckles, studying how comfortable he looked sleeping on Simon’s shoulder. He had to admit, he looked calmer than he had for a while, more content.

“Wouldn’t be surprised if this becomes a normal thing,” Kyle chimes in, a matching grin playing on his lips as well.

“Shut it… he’s just worn out. I’ll wake him before we land,” Simon replies gruffly, trying and failing to hide the hint of emotion seeping into his words, a sense of protectiveness and love washing over him as he watches Johnny sleeping on his shoulder. 

John and Kyle just laugh, not believing Simon’s words. They knew better than to believe him and they also knew better than to argue further. But they knew this would last longer, not only from the way Johnny looked so calm and content but by the hint of admiration in Simon’s eyes as he watched over him. Once Kyle and John pry their attention away, he feels safe enough to carefully slip an arm around Johnny’s waist, squeezing gently and pulling him slightly closer, checking over his position to make sure he won’t be waking up with a sore neck. 

He hums softly, brushing his fingers over Johnny’s knuckles, it was a deep and gruff sound but it also had a soothing touch to it. His fingers trace each scar over his hands, around his callouses and along each finger. His hands have touched the blood of evil and innocent but he still loved him the same, they both have blood on their hands whether they liked it or not. With a sigh and a soft squeeze, he slips his hand into his and squeezes gently. He lets the warmth of Johnny’s body embrace him, letting it seep into his hand and relax the tension he always held. 

“Almost back to base boys, then we can get some proper sleep, eh?” John’s voice was only just above a whisper, looking at Simon and Johnny as he spoke.

Simon nods, understanding what he is implying. Gently he tapped Johnny’s shoulder, his voice barely above a whisper, not wanting to scare him awake. “Johnny… wake up, almost back at base.”

Johnny lets out a grumble in protest, burying his face further into Simon’s shoulder. “Five more minutes…”

“We can sleep when we’re back, in a bed. Not my shoulder,”

“This is comfy enough for me L.T, your shoulders a good pillow.”

Simon laughs, gently helping him sit up on his own, watching as he rubs the sleep from his eyes. He couldn’t help but smile, he felt content just to have him by his side. He knew he could trust him with anything. The base wasn’t home, it was supposed to serve as one but it didn't. 

Johnny was home.

[edutainer2022]

Many thanks to @janetm74 for her deeply moving and insightful story Grief: The Compass, and for putting up with my ramblings about the symbolism of Grandpa's compass and its meaning to Scott, as well as to Scott and Virgil going forward (especially after the revelations of Recharge). I had this little dream-like sequence in mind since the very early days of my return to TAG fandom as a intro to a larger story. Scott Tracy is, of course, very much not okay. It might not be obvious from the start, but it's true. He needs to find his way.

TRUE NORTH

The wind was ruffling early blossoms in the trees and his hair, as he jogged eagerly across the front yard to the farmhouse. Soft spring grass was tickling his bare feet. Mom was inside, he knew. He was so excited to see her.

The quiet hallway was filled with a soothing scent of cinamon and ripe late summer apples. Mom was probably in the kitchen, baking an apple pie. His favorite. He followed the wiffs of delicious smells, but the kitchen was empty. Each utensil in its place, exactly as Mom liked it. He needed to find Mom. The sense of urgency increased, as he passed the sunlit kitchen to the backdoor, out onto the porch and across the backyard. He shivered once, then twice, as a gust of vicious wind threw a handful of fallen leaves into his face. Golden and red, just like Mom's hair. Mom wasn't out back either and he was anxious now. On instinct, he followed the well-worn path to the meadow, stretching behind their old farmhouse in Kansas. Rough edges of pebbles dug into his feet so they were probably bleeding, but he kept going. He needed to find Mom!

His frantic paces came to a halt at the very edge of the meadow, though. As far as eye could see was cast in a swathe of pristine white. Snow. He knew deep down in his soul Mom was across that expanse of white. But he had no clue which way to go. Where to start. He stood at a loss, shivering, at the very edge of ice, licking his bare toes, the freezing numbness creeping up from the ground to his heart.

Then he remembered! Grandpa's old compass that Virgil made a point to give him for the duration of a rescue, would show the way. Ever since their heart to heart in the Arctic, Virgil would  give him the compass before each mission so he would find his way home safely. Just like that day. He was home now, but Mom wasn't there. He dug into a pocket, and, sure enough, his fingers curled around a solid cool weight of the antique gadget. Grandpa's compass would show him the way to Mom! But something odd was happening. As soon as he opened the lid, the arrow went haywire, turning in place, never resting on any one point. Despair and exhaustion nearly choked him and his knees were ready to give. He couldn't get to Mom no matter how much he longed to! No matter how much he missed her!

He was about ready to step into the unforgiving snow and take his chances, when heavy hands landed on his shoulders, pinning him in place.

"It's not yet time, Bluejay!"

The husky whisper was close to his ear. Dad!

"It's too soon, kiddo! You have to let me go first. You can then follow in my footsteps, but not just yet! Not for a long, long time. How about we go home now, son, eh?"

He wanted to protest. Mom was there, all alone, across the field of snow. He could find her, even if the stupid compass was not helping! He needed to be with Mom! But the voice failed him, caught up on a blinding pain in his chest. Strong arms were already steering him back to face the farmhouse again.

Even from afar, he could see all his brothers standing on the back porch, watching him. Allie seemed so scared, baby blue eyes wide and full of tears, clutching the railing. Gordon was standing apart, hunched over, his face dark and lost - he appeared so small and so young. John was ghostly pale, his eyes a green sea of pain. Scott could swear his ginger brother was swaying with each gust of wind. But it was Virgil who made him gasp. Standing one step down the porch stairs, his best friend was glaring daggers at him - the always soft face contorted with fury and anguish, kind brown eyes brimming with liquid fire. What made Virgil so angry? Had he done something stupid? He hadn't lost Grandpa's Compass! Right! The Compass! He looked down at his hand, still clutching the brass shell, and the arrow had miraculously settled, pointing due North. At the center of the porch of their home. At Virgil.

He felt an insistent nudge to start moving, as the voice by his ear spoke again, soft, but urgent.

"Let's go home now, Bluejay! Just like that, one step at a time! Your brothers are waiting."

He tried once more to twist and catch the sight of Dad, but thought better of it as a sharp pain pierced through his torso again. He still needed to make it home and give Virgil back the compass, so Virgil wouldn't be so angry with him. So Virgil wouldn't go looking for him all the way by the desolate cold white meadow. He also needed to find out what made John so upset, and he certainly needed to hug the Tinies. He sneaked a peek at the compass again - it was pointing firmly Home.

[haveyoulistenedtothisalbum-poll]

I find these polls so interesting! There are some really obscure (to me!) artists/bands. I saw someone ask which was the least known artist/band? Has anyone asked which is the most known? If so could you repost it? If not, I’d super curious! Thanks!

We haven't answered this question before! In artists/bands, we can only really look at this through the lens of our albums, but here's some of the artists with the highest average album rankings:

* Did not majorly break containment (more reliable data, polls with <=700 votes) † Multiple album submissions

Artists by Highest Average of Albums At Least Heard Of

AC/DC - 98.8% * (Highway to Hell)

Wham! - 96.1% (Make It Big)

The Killers - 95.6% (Hot Fuss)

Lil Nas X - 95.5% * (Montero)

Nirvana - 94.1% †

Ke$ha - 94% (Animal + Cannibal [Deluxe Edition])

Prince and the Revolution - 93.8% (Purple Rain)

Smash Mouth - 93.3% (Astro Lounge)

Arctic Monkeys - 93.3% (AM)

One Direction - 92.8% (Up All Night)

Green Day - 92.7% †

Eurythmics - 91.7% * (Sweet Dreams (Are Made Of This))

Marina and the Diamonds - 91.4% †

Owl City - 91% †

Lady Gaga - 90.6% †

The Beatles - 90.3% †

High School Musical 2 Cast - 89.7% * (High School Musical 2 (Original Soundtrack))

Elton John - 89.5% †

Fleetwood Mac - 89.4% †

Kelly Clarkson - 89.2% * (Breakaway)

More below the cut, but we'll be following up this with additions!

Artists by Highest Average of Albums Listened to in Part or in Whole

AC/DC - 93.6% * (Highway to Hell)

Wham! - 92.2% (Make It Big)

The Killers - 92% (Hot Fuss)

Ke$ha - 91.2% (Animal + Cannibal [Deluxe Edition])

Eurythmics - 89% * (Sweet Dreams (Are Made Of This))

Smash Mouth - 87.2% (Astro Lounge)

Nirvana - 86.1% †

Kelly Clarkson - 85.5% * (Breakaway)

Owl City - 85.5% †

Arctic Monkeys - 85.4% (AM)

Cascada - 85% (Everytime We Touch)

Green Day - 84.5% †

Gwen Stefani - 83.8% (Love. Angel. Music. Baby.)

One Direction - 83.1% (Up All Night)

Marina and the Diamonds - 82.9% †

Elton John - 82.7% †

Lil Nas X - 82% * (Montero)

Lady Gaga - 81.8% †

The Beatles - 79.9% †

Fleetwood Mac - 79.8% †

Artists by Highest Average of Albums Listened to All the Way Through

My Chemical Romance - 58.3% †

Panic at the Disco - 53.4% (Pretty. Odd.)

Fall Out Boy - 51.4% †

Gerard Way - 46.3% (Hesitant Alien)

High School Musical 2 Cast - 43.8% * (High School Musical 2 (Original Soundtrack))

Marina and the Diamonds - 42.6% †

Hozier - 39.6% †

Nirvana - 38.3% †

Arctic Monkeys - 36.5% (AM)

The Beatles - 36% †

Frank Iero and The Future Violents - 35.9% (Barriers)

Green Day - 35.5% †

Pink Floyd - 35.5% †

toby fox - 35.4% *†

Lorde - 35.4% †

Patrick Stump - 35.2% (Soul Punk [Deluxe Version])

Louis Tomlinson - 34.7% †

One Direction - 34.2% (Up All Night)

The Killers - 34.1% (Hot Fuss)

Paramore - 32.6% †

[wingsoverlagos]

Lewisohn vs. Shepherd

I'm still at work on the whole Kim Bennett thing, but here's a quick Lewisohn vs. post to spice things up. Actually, the book from which I was cross-referencing was due at the library, so I started work on this, quickly realized the source was also readily availble online, but decided to finish it anyway.

The source at hand is Jean Shepherd’s October 28th, 1964 interview with the Beatles, published in the February 1965 issue of Playboy. You can find a transcribed version here or a scanned copy here. It’s a great, quick read - seven pages sparkling with Beatles wit and a concerted effort by George to convince the interviewer he's in love with Ringo. Small tw for transphobia in the form of a tired pronoun joke at the expense of April Ashley.

Tune In pulls three quotes from Shepherd's interview. Two of them are below the cut - their are minor changes (one exceedingly minor) to those quotes, but the first quote I'll address is taken wildly out of context. It's not the most offensive distortion of history that Lewisohn has put forward, but its maddeningly blatant - and pointless.

Tune In 26-20 vs. Shepherd 1965, p.54

The quote of interest is highlighted in green, but I included the preceding paragraph because the context matters greatly here. The Beatles & Brian were down in the dumps, having struck out with every record company with any semblance of artistic merit. Lewisohn highlights that John and Paul in particular were down in the dumps, but that “their young friend George stayed optimistic. He rallied them, he showed them that while they might be thinking the worst, he was remaining hopeful.” His evidence for this is the quote highlighted in green, in which John says Brian and George knew they would make it big.

Well. Let’s check the source.

If you look at the quote, once again in green, it’s almost correct—Lewisohn drops “our manager”, but it’s close by Tune In’s standards. Take a look at what’s around the quote, and you’ll see it’s taken wildly out of context. John isn’t talking about George’s confidence in the Beatles ability to score a record contract in 1962; he is unambiguously referring to George’s confidence that the Beatles will succeed in America in 1964. And that confidence didn’t stem from “the Beatles’ mantra” that “Something’ll turn up”—George thought they’d be successful in the states because he was aware of their U.S. record sales.

The thing that gets me here is that it’s so unnecessary. As a historian writing for a general audience, the Beatles must be a dream: you have a core group of four complex, interesting, musically gifted people whose personal and artistic growth played out in the public eye, exhaustively documented. They were surrounded by a supporting cast of vibrant characters to root for or revile, who all played a role in a story brimming with friendship, romance, rivalry, wit, and tragedy. There's no reason to rewrite history for the Beatles - their story can be both factually correct and narratively compelling, yet Lewisohn joins a storied list of authors who have felt the need to gild the lily.

What does this add to the Beatles story? How does it benefit the narrative to portray George Harrison as a plucky kid from an afterschool special, cheering on his elders with unflagging optimism when things look bleak? It’s trite, and it’s fake. It's not the Beatles.

This isn’t the most earth-shattering act of historical revisionism Lewisohn has committed to print, but its brazenness is galling. In the introduction to Tune In, Lewisohn states, “I’ve wanted a history of deep-level inquiry where the information is tested accurate, and free of airbrushing, embellishment and guesswork, written with an open mind and even hands, one that unfolds lives and events in context and without hindsight, the way they occurred…” And yet we get this. He knowingly took this quote two years and a whole Atlantic Ocean out of context, and he had the audacity to tout his book as “tested accurate, and free of airbrushing, embellishment and guesswork.”

He's pissing on our feet and telling us it's raining, folks.

Tune In 29-4 vs. Shepherd 1965, p.56

An impressive number of little deletions and changes for such a small quote.

Tune In 33-1 vs. Shepherd 1965, p.54

This one almost isn’t worth mentioning. The only change is the emphasis removed from Ringo’s “them” in the original quote.

Sources:

Lewisohn M. 2013. The Beatles: All These Years Vol. 1: Tune In. New York (NY): Crown Archetype. [ebook]

Shepherd J. 1965 Feb. Playboy Interview: The Beatles. Playboy 12:51-60. Accessed online 2024 Mar. Available from: https://imgur.com/a/HY2Ji

[hadesoftheladies]

FEMALE MOVIE/TV RECS (PART 9 / ADULT & FAMILY ANIMATION)

got inspired from a recommendation post so decided to make a list of movies and shows with female-centric stories/female protagonists. since i can't post all of the genres in one post, i'll split it into multiple posts and y'all can save or add to the list as you wish. (disclaimer: i have watched most of these, but i only know about the existence of others. not every movie/show on these lists will be my recommendation. my recommendations will be beneath the list with reasons. also some of these are way better than others in terms of storytelling/performance--which is why i'll list my faves separately):

Common Themes/Tropes:

-Woman/girl is OP and gets bullshit from other people for it

-Heroine tries desperately to fix the world

-Leaving home to go on adventures for the sake of a dream or doing the right thing

-Sisters are a lifeline

-Women/girls can literally do or be anything

-Violence is the only answer men will understand

-The world is so big, grand and beautiful and she wants to see more of it

-Girls being the conscience of an entire society

-Things going ham when she reaches Boss Level

-Magic (and violence) are good things, especially paired together

-A man (usually a father or guy friend) is the only conscience she has left

-F*ck marriage there's bigger problems TM

-I must save my father/sister

-Serious mommy issues

-Has an animal companion or IS the animal companion (robots also count as animal companions in terms of function imo)

-Making friends with the monster

OF WHICH ARE FOR ADULT AUDIENCES:

Pantheon

Scavenger's Reign

Blue Eye Samurai

Arcane: League of Legends

Trese

HAVEN'T WATCHED:

Pantheon

Lilo & Stitch

Fiona & Cake

Star Vs. The Forces of Evil

Trese

Princess Mononoke

Green Snake

The Breadwinner

HONORABLE MENTIONS:

Violet Evergarden

Barbie in The Diamond Castle

Monsters Vs Aliens

Epic

Finding Dory

Encanto

The Incredibles II

Tinkerbell: Legend of The Neverbeast

Brave

WOULD HIGHLY RECOMMEND:

Blue Eye Samurai (10/10) (super gritty, but the perfect revenge story, puts John Wick to shame)

Scavenger's Reign (8/10) (split story, but two of the main characters are women, and one is a black lesbian! fantastic animation, though don't watch if you're intensely trypophobic, it can be sci-fi horror)

Mulan (9/10) (one of the most perfect animated Disney classics)

Turning Red (8/10) (this movie remembered the tween era)

Tinkerbell (if you crave matriarchy, sisterhood, magic and female centric society and story, then you need to watch the Tinkerbell movies)

Wolfwalkers (7.5/10) (an anti-colonial, anti patriarchal, pro-pagan fantasy movie with beautiful animation and a very touching, female-centric story)

Arcane: League of Legends (10/10) (gorgeous animation, amazing writing, incredible performances, and don't get me started on the sisters that take centre stage--also, lesbianism and gender nonconformity!)

The Legend of Korra (8/10) (good writing, a badass protagonist, a fantastic cast of characters, beautiful scoring, beautiful animation, amazing action sequences)

PERSONAL NOTES

The Mitchells Vs The Machines is basically a drama between a lesbian girl and her dad who have to figure their relationship out while they're running from robots. It was full of heart and fun and had some good jokes in there. I'd definitely recommend it.

Raya & The Last Dragon is the first Disney movie with a gender non-conforming princess! It also has some of the best action sequences in any Disney animated movie, however it doesn't hold a candle to The Incredibles II, which stars Helen Parr as the main character of the film. It's one of my favourite films of all time because of how they depict Helen and the main villain of the story (a badass genius of a woman). Really pro-female films, even for all their flaws.

Abominable has some of the most gorgeous visuals I've seen outside of a Disney animation. The texturing and coloring is so vivid it makes my mouth water. It's far better than Over The Moon, but both have their own charm. Abominable and Home have very similar plots. Also, the girl in Home is voiced by Rihanna while Beyonce voices the queen of the faeries in Epic.

One movie that shares a similar theme (kindness to animals even if we don't understand them or they scare us) with Abominable is The Sea Beast. The Sea Beast is one of the best animations with a black female girl as a lead I've ever seen. There's also a badass black woman pirate. There are some scenes that could have been written (or colored) better, but I loved it either way. I think it was the first animated film to depict shrinkage for black hair! And it didn't lighten the skin or whiten the features of the black characters!

Many people view Frozen II and Brave as "almost" masterpieces whose writers ultimately failed them, and I can say that I agree to some extent. There are many things technically wrong with the movies. Minor details that set the pacing off or take away from the immersion. However, I still love both of them. I really love daughter vs mother and sister vs sister stories (that includes Tinkerbell: The Secret of The Wings) because there's so much to explore in such relationships. They also both have some killer soundtracks, some amazing visuals and well-executed action sequences. I've truly seen way worse than these two films, and the characters are mostly loveable.

The Breadwinner is an animated film about a girl dressing up like a boy under the rule of the Taliban so she can earn some money to help feed her family. It's scored very high by critics.

I'd also recommend The Owl House (even though there's some appeal to genderism in later seasons). It's the first time I've seen a bisexual animated character and the enemies to lovers arc with Luz and Amity is unmatched in cannon magic school stories. I also really love the depiction of The Owl Lady who is treated like a male character in that she is allowed to be non-maternal, single and old (and wrinkled), arrogant and boastful, all without the show trying to punish her for it. The Boiling Isles are also fascinating as a setting.

If you like The Owl House, there's a chance you'll love She-Ra. There were many things I found annoying about She-Ra, but my experience was mostly positive. I'm not the biggest fan of Catradora, but I do appreciate the drama. I loved the world-building and magic system mainly, so the character quirks didn't get to me as much as they have others. Also, amazing antagonists in this series. It could have been more mature, but it's still entertaining.

I also definitely recommend Home on The Range. It's a whole movie with talking animals, but there's no tomboy like the main female protagonist in a Disney movie. She is one of the most tomboy characters Disney ever made. Also, I love 2D animation and this film reminds me why. Also, the idea of a feminine, micromanaging old heifer, a bull-headed, roughhouse new girl cow, and a young airhead cow that can't sing going on an adventure across the wild west to save their human's (a sweet old lady with some bark and bite) farm? And they have to compete with a hotshot, asshole male horse who is young and fast? It's like the perfect western comedy but with cows!

Anyways, if you can't tell, I love animated stuff and a lot of these are my comfort movies.

[davekat-sucks]

(Found this image on Twitter)

I really don't like the Omega kids. I take them as seriously as I take the alphasprites, they don't exist to me. Hearing you guys talk about these little mistakes feels like watching everyone talk about a hypothetical scenario or dream some guy had once... which is the Homestuck experience now.

I dislike them, but it's not just because their stories stem from terrible couples, it's because they're so over designed but there is no meaning to anything.

It's cute Tavros has a bow tie and that Harry has a bandana but those feel like little trinkets that should have been added on later after we get used to seeing them. Show me their personalities first before you overload a character with this much clothing. Yiffy is the worst of these. It's too much. For some reason Eridan feels like a simpler design than this avril lavigne clone. There is something less cohesive and more busy about these designs than the original cast. Maybe it's because it has too many different grays and blacks. She looks more like a vast error character than a Homestuck one.

Look at how simple the character designs start out as, and then they purposely make their own outfits that fit their interests and personalities. Dirk may be a bit of an exception here actually, he changes his clothes right after he is introduced. Which introduces him as anal.

There is meaning here. There is a purpose that the story shares throughout it's run. Look at Rose's dress it was made from the velvet pillow introduced when her mom one-upped her and Roxy's outfit here clearly being a reference to her mom's love of knitting. There is a reason Jade wears blue and John wears green even though that isn't their colors. Dave's shades are a gift from John. John is wearing a bootlegged slimer shirt. I'm not saying the Omega kids need every article of clothing to have a backstory, but if they wear this much clothing it doesn't tell me much.

Why does Yiffy wear cleats if she was hidden away from the world? Did she run around in a backyard like a dog or something? I don't even remember if that is her story or not, I forgot so much about her because I was more focused on how she was a child that Rose had behind her wife's back. They're overloaded with drama too.

To add to that. I haven't placed much thought in it but I don't know what the Omega kids color scheme is supposed to be. I assume the Beta kids colors come from basic web colors. If you invert the beta kid's colors you get the Alpha kids color scheme.

The Omega kids just feel scattered and unorganized. It makes them feel even more meaningless because they don't fit in. If that is the point then why not have five kids to really fuck with the system here? The writers should have really ran with the whole "we're flipping the script and subverting expectations" thing.

I also don't give a shit if this is nitpicky, I'm sure you guys can all see there is something off about the omega kids.

I agree about the accessories doesn't really show they are connected with the Beta Kid adults. If the bandana is suppose to be like a replacement to how Roxy wears a scarf, then let the boy wear a scarf and not a stupid gay bandana. You think that Kanaya, who is a fashionista herself, would be critical of what her daughter, Vrissy wears. And if you are saying she would never reprimand her daughter because she looks like her crush, then that brings up a worse implication that she really is grooming her to be like Vriska by enabling her bad habits. What confuses me is Tavvy's overshirt has the matching color of Gamzee, the one who MOLESTED HIM. You think after his death, he would never wear that color and be disgusted by any shade of purple that's within his sight. Unless him still wearing that purple vest now is still symbolizing he is still bound by Gamzee or can't move on after what he did to him.

But yeah, nothing about the Omega Kids designs makes sense. And I still am on the side that laughs at Yiffany looking more like Nostalgia Critic.

[greenlikethesea]

hii! top 5 media in any form you'd love to make everyone experience if you could?

or alternatively, top 5 favorite songs to sing? ^^

i'll answer both of these, because why not!

i want every human on planet earth to read the anthropocene reviewed by john green. i'm so serious. i read it during the height of the pandemic and it changed my entire perspective. rating the human experience on a five star scale. genuinely, what a concept. the man is wasted in YA -- this is what he's really good at.

rocky horror shadow cast! an essential queer experience, imo. every kind of freak is there and having fun, and you're encouraged to be vile, which is so rare in our world that is obsessed with politeness.

i hope that everyone wherever they live can experience large scale sculpture and light installations at places like the dia beacon and storm king art center. seeing art at that level and on that scale really puts your own existence into perspective.

a gospel concert, especially held by an established choir. once again, i am so serious. even if you are an atheist, or not christian, the power and passion of the music, and the enormity of the compositions, is deeply moving and will make you feel things you haven't felt in a long time!

this one is often a hard sell, but you asked: see a community theater production at least once a year. supporting amateur art is essential to keeping your community alive, and i guarantee that you will be surprised by some element of what you see. there are always diamonds in the rough, and the dedication of the entire cast and crew should be lauded!

now i love to sing, and i sing a variety of songs literally daily, so i'll give you top 5 songs to sing at karaoke at the present moment:

dreams by fleetwood mac!

sunday morning by no doubt! also bathwater so we'll count this as one entry!

(i wanna) dance with somebody by whitney houston!

breezeblocks by alt-j!

tears dry on their own by amy winehouse!

[ask-captain-keating]

What are some of your favorite poems, Captain? (Besides o captain my captain ofc) <3

Anon,

What a wonderful question! I'd be delighted to share a few of my favorites with you all.

To start, my all time favorite is titled "Clair de lune" (translates to "Moonlight") by Paul Verlaine, written in 1896. Those with a keen eye may recognise the title from Claude Debussy's song of the same title, which was a piece inspired by the poem. The original work is in French, but I will provide an English translation by Chris Routledge.

Moonlight

Your soul is a select landscape

Where charming masqueraders and bergamaskers go

Playing the lute and dancing and almost

Sad beneath their fantastic disguises.

All sing in a minor key

Of victorious love and the opportune life,

They do not seem to believe in their happiness

And their song mingles with the moonlight,

With the still moonlight, sad and beautiful,

That sets the birds dreaming in the trees

And the fountains sobbing in ecstasy,

The tall slender fountains among marble statues.

Paul Verlaine, 1869

Another one of my favorites, also by Uncle Walt, is called "O Living Always, Always Dying" from his poetry collection titled Leaves of Grass. Leaves of Grass was published in 1855, but he continuously edited and reworked it until he passed in 1892.

O Living Always, Always Dying

O LIVING always, always dying!

O the burials of me past and present,

O me while I stride ahead, material, visible, imperious as ever;

O me, what I was for years, now dead, (I lament not, I am content;)

O to disengage myself from those corpses of me, which I turn and look at where I cast them,

To pass on, (O living! always living!) and leave the corpses behind.

Walt Whitman, 1855

The last one I'll share is titled "Love Lives Beyond the Tomb" by John Clare. I only found this poem very recently, so unfortunately I don't know when it was published.

Love Lives Beyond the Tomb

Love lives beyond

The tomb, the earth, which fades like dew—

I love the fond,

The faithful, and the true

Love lives in sleep,

'Tis happiness of healthy dreams

Eve’s dews may weep,

But love delightful seems.

'Tis seen in flowers,

And in the even's pearly dew

On earth's green hours,

And in the heaven's eternal blue.

‘Tis heard in spring

When light and sunbeams, warm and kind,

On angels’ wing

Bring love and music to the wind.

And where is voice,

So young, so beautiful and sweet

As nature’s choice,

Where Spring and lovers meet?

Love lives beyond

The tomb, the earth, the flowers, and dew.

I love the fond,

The faithful, young and true.

John Clare

Another one of my favorite poems was written (or verbalised I suppose?) by a student of mine. Neither he nor I got the chance to write it down, and I most definitely do not have permission to share it. No sleep lost over it, sometimes the best poems are the ones you only hear once! Thank you very much for the question.

Best,

John Keating

[dcbtv]

Title: Sweet is the Dream that Leads Me to You

Author: Say_It_In_Enochian

Artist: Scarlettmichkat

Song: Today Was A Fairytale

Posting date: September 16th 2023

Rating: Explicit

Any archive warnings: No Archive Warnings

Top 10 main tags:

Alternate Universe - Medieval, Fairy Tale Elements, Virgin Castiel, Comfortably Bisexual Dean Winchester, Angst and Fluff and Smut, Mutual Pining, Dean Winchester Teaches Castiel About Sex, Falling In Love, Happy Ending, Tooth-Rotting Fluff

Summary:

From a crumbling fortress hidden in a deep green wood, Castiel watches a world he is destined never to join. It’s a solitary existence, but he is for the most part content. The companionship of his friends, the wolf, and the crow is enough.

At least, it has been, for as long as he can remember. Until one night the unthinkable happens and a strange man finds his way into Castiel’s sanctuary. A man whose presence makes his heart seem to beat for the first time…who makes him begin to question everything about his strange secluded world.

As one of King Arthur’s most trusted warriors, Dean’s future was bright and his path clearly laid out for him. He would be knighted, then married, fulfilling his obligation to his father and the destiny John had chosen for him.

It seemed a perfectly good plan, until the night Dean dreams of a young man with full lips and kind eyes….eyes that make him want to cast destiny aside and live in his dreams.

Can Cas convince Dean he’s not just a dream? Can Dean defy his father and choose his own destiny? And can they both solve the mystery of Castiel’s curse before it threatens their love and Camelot’s future?

Author tumblr: https://www.tumblr.com/inenochian

Link to Fic: https://archiveofourown.org/works/49465972/chapters/124839889

Artist tumblr: https://www.tumblr.com/scarlettmichkat

Link to Art:

https://www.tumblr.com/scarlettmichkat/728584544794689536/sweet-is-the-dream-that-leads-me-to-you?source=share

[lucyfrostblade]

🪢 A headcanon about their family, 📓 A headcanon about their hobbies, 👗 A headcanon about their clothes, 🔪 A headcanon relating to fighting/violence (for both ivy and lucy please i love your takes)

headcanon ask game !!

Lucy:

🪢 A headcanon about their family

one of lucy's parents (i say she has two moms but that's unrelated to the current headcanon) was born in the mountains of chaos and moved to elmville with her own parents when she was an older teen, around 16 or 17. the official reasoning was that it was safer to raise a family in elmville and a desire to live a life less rooted in survival and more in living, but the real reason but that lucy's grandparents had gotten some vague communications from ruvina that some time in the coming decades that a frostblade would be needed in elmville.

📓 A headcanon about their hobbies

credit to @vortahoney for starting this conversation with the other day !! lucy reads sad girl books, be it weird sad girl or hot sad girl. an absolutely remarkable thing by hank green, severence by ling ma, our wives under the sea by julia armfield, my heart is a chainsaw by stephen graham jones, olga dies dreaming by xochitl gonzalez, gods of want by k-ming chang, bad cree by jessica johns, the secret lives of church ladies by deesha philyaw.

i think i said to spence that i don't think she would read horror or the weirder books yesterday but i have changed my mind. she doesn't read the goreriest stuff or even truly weird stuff, but she doesn't shy away from it either.

👗 A headcanon about their clothes

lucy dresses like it's winter every single day. every since she became a frost gensasi, it's been hard for her to stay warm. it doesn't exactly bother her, it's comfortable, but she misses it, you know? so she's always wearing sweaters even on the hottest summer day, trying to chase the warmth she remembers from early childhood.

🔪 A headcanon relating to fighting/violence (for both ivy and lucy please i love your takes)

she's depicted in the official art as having a morning star and i am a little bit obsessed with that. it implies either a strength that isn't necessarily evident in her character design, or that she's just carrying around a weapon that she can't really use. i lean more towards the former, and that she has a tendency to be more involved in combat than any of the other rat grinders are completely comfortable with. she'll always try and keep combat from breaking out but once it does she can wack people with her morning star and then cast healing word as a bonus action. it's fine guys, she promises. of course if someone gets badly hurt she'll focus on that but let my girl hit people in between. especially post-resurrection it's one of the only ways she feels comfortable expressing anger.

Ivy:

🪢 A headcanon about their family

ivy moved to elmville shortly before freshman year with her mom. her parents divorced during the last year of middle school. it was messy, and they absolutely had the worst fights right in front of ivy for most of her childhood. in the end, ivy was made to chose between staying in fallinel with her dad or moving to elmville with her mom, and she chose the latter. she sees her dad a couple times a year now, but her mom isn't much more present despite the fact that they live under the same roof.

📓 A headcanon about their hobbies & 👗 A headcanon about their clothes

archery itself could be considered a hobby, i don't know if you have any experience with it. personally i am pretty shit at it but i am getting back into it anyway. back to ivy though, i imagine it started out as a hobby before it became who she was. summers spent shooting at targets instead of playing with the other kids, and after school time was spent more on practice than her homework.

i imagine that once she starts aguefort she's similarly intense about it but picks up an actual hobby or two now that she has time in school to be intense about it. something tactile, maybe knitting or crochet? i lean knitting for ivy bc it's simpler and more practical but she could still use it to make crop tops and tank tops. i think she'd have fun with it. and she makes oisin count her rounds for her. it's hard, okay?

🔪 A headcanon relating to fighting/violence

ivy's an archer which creates a certain distance from the violence she enacts. the first thing she kills is a deer while on a hunting trip with her parents. for a while it's just game, then when she starts aguefort it's rats and monsters. even in battle against other people (against lucy) it's easy enough for her to keep her distance from the reality of violence against another person. she didn't touch lucy when they killed her, just stood by the treeline and aimed. the distance doesn't help with the guilt, doesn't stop the nightmares.

[marci11e]

i was tagged by my fav bes fic writer/mutual @kaladinkholins thank you <3

the rules of the game are to write one song for every letter in your url, and then tag as many people as there are letters in your url.

(doing this i realize now the songs i like sorted by letter in spotify are not all equal in number lol) (i tried to do all different artists, except for maggie she gets two songs because i love her) these are all songs i adore btw + carry with me

b - be cool by maggie rogers (like. be cool.)

l - let’s get married by bleachers (mr. antonoff. this is a masterpiece)

u - uptown girl by billy joel (such a fun time)

e - epic iii (“they danced”) - instrumental by hadestown original broadway cast (uhhhhh this is literally the most beautiful thing that makes me want to cry every time i listen to it :) )

t - take me home, country roads by john denver (a classic)

h - hypotheticals by lake street dive (this song singlehandedly made me make a pt. 2 to one of my fav playlists) (so groovy)

i - iris by the goo goo dolls (everyone give it up for the song that makes me sing at the top of my lungs in the car every time i hear it)

s - south london forever by florence + the machine (the green is so green. if you even care)

i - i’m yours by jason mraz (s/o to my fic writing roots)

s - so sick of dreaming by maggie rogers (this is a recent release but it’s sooooo fleetwood mac coded and sounds like summer)

f - femininomenon by chappell roan (chappell roan writes songs i want to hear more of. aka songs that are fun and i love her)

o - orange by clay (one of my college roommates showed this to me several years ago and i still love hearing it)

r - rainbow connection by kermit the frog (i mean. come on)

y - you might think by the cars (this one is just a movie coded song and that’s why it’s good)

o - one summer’s day - instrumental by vitamin string quartet (as beautiful as the original piano track is. this rendition is genuinely phenomenal. i love love love this version. it’s like you’re being bathed in summer.)

u - upside down by jack johnson (mr. johnson you are a legend to me . soundtrack of my childhood)

16 letters urls are no joke omg. thankfully i love songs so here we are <3

tagging: @pikasso @wenightmareyou @darkacademily @vampirehowl @hale-of-stiles-heart @wikare @dolittlephd @elbombo @teabookgremlin @shoobiie @my-destiny-awaits @perrieedwards @nymphofnovels @bisexualmonsters @erikaii @fairlystitious

[widowshill]

How do you think Dark Shadows would differ if made today? Would it still be the cult classic or is that kind of writing lost to us?

with the disclaimers that I don't think you can set out to make a cult classic, and also I only know as much about the entertainment industry as the next person, and also I don't really think the writing in Dark Shadows is that good, I do think it's an interesting question! I'll do my best.

To start: for me, the lion's share of the show's enduring appeal is in its earnestness, and part of that is the palpable shoestring budget. things like flubbed lines, camera man and mic shadows in the shot, and other genuine mistakes are part of what you watch the show for, they do not detract but add to the experience. this contributes a similar sense of watching live theatre (paired with most of the core cast being new york theatrically trained and bringing that acting style with them) because you know you're seeing something usually done in one take, where the mistakes bleed through, where who the actors are as people is alongside them on the stage. they flub, and recover, and this is part of the story: so too do the Collinses make vast mistakes, and go on. it is an imperfect world riddled with faults.

This is not something you're going to get in the current media landscape from one of the big networks like ABC; I find it almost impossible to imagine a daytime show being produced with the kind of natural errors Dark Shadows contains. To capture that same kind of poor theatre troup earnestness you would have better success as either a) actual serial theatre, b) a webseries / tiktok series / etc, c) a low-budget independent or college tv station, or d) a miniseries, possibly. If a major network took it on and purposefully put those mistakes in, it would not feel the same. I'm a bit bored of the constant insincerity/irony in a lot of 2020's media, and I think it would rapidly veer into that genre of work.

As far as being a daytime serial, specifically, I don't think the current media environment is exactly right: part of the reason they aired a gothic horror soap opera to begin with is it was part of the broader cultural conversation, next to television like Bewitched, The Addams Family, I Dream of Jeanie, The Munsters, The Twilight Zone, etc. American entertainment in the late 60's had a love affair with the occult (with witches, monsters, ghosts, the works) and this permeated broad aspects of arts and culture: The Haunted Mansion opened at Disneyland in 1969, Monster Mash was number 1 on the Billboard chart in 1962 (and #91 in '70, and #10 in '73). Pair that with prominent artists like John Zacherle's discography, Vincent Price's film credits, 70's gothic horror comedies like The Rocky Horror Picture Show and Phantom of the Paradise, and of course the wild popularity of gothic romance paperbacks in the 60's and 70's. This isn't everything, of course, but just to broad-strokes the landscape.

It's not that we don't have supernatural media today — horror is one of the highest performing movie genres, and there are shows like Ghosts and WWDITS, and Watcher Entertainment — but it's not quite the same explosion of culture (in my opinion). Making a gothic romance-horror-vampire serial would be more at home in the 2010's among the love affair with Twilight, True Blood, The Originals, the dominance of horror game Youtube, the height of Supernatural, Crimson Peak, What We Do In the Shadows 2014, etc. One imagines this is why the 2012 film adaption came out when it did; the cultural moment was conducive, overall. Most nighttime network television today (and I am generalizing) is dominated by legal, medical, and police drama; current soap-operas (especially General Hospital) reflect that, and there are only three soaps getting aired, period. Nothing is impossible: but a soap in the Dark Shadows vein (ha) getting green-lit today seems unlikely, vastly unlikely with the ebb in vampire fervor.

What I will say that works better in today's production moment for a potential series revival (revision?) is we're starting to see an embrace of practical set building / prop making / etc that was lost to us for a little while, especially among the horror genre. For example: Blumhouse's FNAF utilizing the Jim Henson creature shop, the beautiful set work on Haunted Mansion 2023, the use of practical effects in Beetlejuice 2. This is something that to me feels integral, for making Dark Shadows. You may disagree! But I don't think the heavy dependence on CGI did 2012 any favors. The magic inherent in the show (curses, ghosts, whatever you want to call it) is supported by movie magic and the invisible (or sometimes visible) artisanal hands crafting the world for us.

Moreover, with Bridgerton, especially (but also Emma, Little Women, The Gilded Age, The Great, etc) there's been a bit of a renaissance of lush period pieces. The current fascination with historical romances (and anachronism!) lends itself very well to a dive into 1795 or 1897. My best guess is that if we produced a revival right now, there'd be a very heavy focus on one of the alternate time periods (probably 1795), and they would lean on anachronism (and sex) very heavily, and the present year would be a very very minor presence, if they bothered with it at all – and maybe they wouldn't!

As for the writing, specifically? There's nothing that extraordinary about Dark Shadows' writing, to me, what is extraordinary is the characters and the actors' management of them (and Lela's direction) and what they are able to do with the script (aside from a few standout moments of memorable lines). There are brilliant television writers out there who could write a lovely gothic adaption. Some of our priorities in terms of storytelling are different: one thing you would have to acknowledge that the original show rarely dealt with and never performed well on is race. However a lot of the dominant concerns in the cultural landscape do reflect the issues at the forefront of the themes in the writing: especially women's bodily autonomy (Barnabas' hypnotism and forcing Josette's identity onto the nearest brunette/the inherent violation of biting and enthrallment, the way his victims are 90% of the time poor women, or sex workers, or the criminalized and otherwise vulnerable); women's economic position (Liz running the house and business, Victoria and Maggie's subject to endless horrors for a wage, Carolyn free to kick getting married down the road because she's economically secure) and the rigid dominance of the hetero-nuclear family structure as it is entwined with economics in America, and its subversions; and, especially, the way that the American houses (architectural, economic, genealogical) are built on the exploitation of those beneath them, often demanding the physical sacrifice of bodies and blood.

If I had my choice — and this is not what I think is probable, what is probable is a lean into the literal vampires and witches and sex associated in a modern-day setting — a current version of Dark Shadows would lean heavily into those themes, and take the reflection of the literal monsters (Barnabas, Angelique, Quentin, Laura, etc.) on the metaphorical monsters (Elizabeth, Roger, Burke, David, etc.) seriously. Preferably I'd want it set in the 1960's-70's again, because, like Collinsport, we seem to repeat the same sins over and over again, currently we are engaged with and reversing much of the progress that was made by social movements of that era, so in some senses we are returned to that time, culturally. Preferably I would emphasize the mystery? the permeation between the boundary of human and monstrosity? that dominated the early supernatural arcs with Laura and the beginning of Barnabas; and emphasize the terror, especially the terror of violence contained within the charming, and genteel, and refined, and beautiful. Above all I would not begin any first episode of anything with Barnabas, who should be first and foremost a reflection on the family so ready to accept him as like kind.

cult classic? I don't know. I think there's an appetite for earnestness; for long-form storytelling; for the quotidian — to learn about characters as they eat breakfast and bicker, as well as fight monsters. and theatre-trained enunciation that you can hear. I would hope, with sufficient intimacy training, the kissing and sex scenes would be a little better and not make me so very miserable.